Long-Overdue Music Post
I was going to do that crazy “Favorite album of every year” thing, but between having half the list be R.E.M. and having heard no albums from other years, I decided to drop it.
Recent album/song obsessions:
The Ting Tings - “Shut Up and Let Me Go”: Upon first listen, I figured they were CSS. They’re not - they’re very similar, though. Not quite singing, shake-your-butt-in-the-driver’s-seat music. I really like it. The rest of the CD is somewhat grating at times, but when it’s on, it’s on.
The Hold Steady - Stay Positive: Initial thoughts are that it’s a) not as good as Boys and Girls in America, but b) better than Separation Sunday. “Sequestered in Memphis” is still catchy as hell, though, regardless. The issue I have right now is that there seems to be a large amount of songs designed solely for Craig Finn to ramble over, and none of them are as good as “Chillout Tent” was. Not to say Finn isn’t a good storyteller, as he is, but it almost seems counterproductive at times.
Jakob Dylan - “Something Good This Way Comes”: Honestly, who knew he had it in him? An incredibly simple song that just nails it on multiple levels. Simple three chord country song that just sounds perfect. It almost makes the last 7 or so years of the Wallflowers forgivable.
Fleet Foxes - s/t: The next big blog band with one fairly addicting song and a very passable album the rest of the way. It’s interesting, but nothing crazy special on the first few listens.
Sigur Ros - Með suð í eyrum við spilum endalaust: This may sound sad, but I think I might be over Sigur Ros. Three phenominal albums, follwed by the lackluster Takk.. and then this album which has maybe two songs that I like? The band has evolved into something I suppose I just don’t like anymore. Stick with the 8 minute epics!
The Baseball Project - Frozen Ropes and Dying Quails: Songs about baseball by Steve Wynn, Scott McCaughey, Peter Buck and Linda Pitmon. It’s essentially what the Minus 5 singing about baseball would sound like, but somehow much better. “Ted Fucking Williams” would be the best song if it weren’t for “Gratitude (for Curt Flood).” The whole thing is amazingly fun, and will likely be completely overlooked in a week, if it hasn’t been already.
Finally, can someone explain why I’m loving this so much?
